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Did you know?
Little is known about the exact origins of the music we now know as the blues. No specific year can be cited as the origin of the blues, largely because the style evolved over a long period of time and existed in something approaching its modern form before the term blues was introduced, before the style was thoroughly documented. One important early reference to something probably closely resembling the blues comes from 1901, when an archaeologist in Mississippi described the songs of black workers which had lyrical themes and technical elements in common with the blues.
There are few characteristics common to all blues, as the genre takes its shape from the peculiarities of each individual performance. Some characteristics, however, have been a presence since prior to the creation of the modern blues, and are common to most styles of African American music. The earliest blues-like music was a "functional expression, rendered in a call-and-response style without accompaniment or harmony and unbounded by the formality of any particular musical structure". This pre-blues music was adapted from the field shouts and hollers performed during slave times, expanded into "simple solo songs laden with emotional content".
African American composer W. C. Handy wrote in his autobiography of the experience of sleeping on a train traveling through (or stopping at the station of) Tutwiler, Mississippi, and being awakened by:
... a lean, loose-jointed Negro [who] had commenced plucking a guitar beside me while I slept. His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of the ages. As he played, he pressed a knife on the strings of the guitar. ... The effect was unforgettable. His song, too, struck me instantly. . .. The singer repeated the line ("Goin' where the Southern cross' the Dog") three times, accompanying himself on the guitar with the weirdest music I had ever heard.
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